Members’ evening had a wide range of interesting pieces
Last night’s members’ evening had a wide range of music – eclectic even – from the traditional, to some pieces with jazz influences and a rarity from South America.
The traditional selections were from the Well Tempered Clavier by Bach and the chosen pieces were from Book 4 – the most difficult to perform. Angela Hewitt was the pianist and her recordings show great skill and fluidity. The other traditional selection was of Mozart’s first violin concerto the K207. Composed when he was probably 17 it is one of five that he composed although there are possibly two more. Paper analysis suggests an earlier date than originally supposed.
Completely different was Michael Torke’s Javelin one of a series of pieces exploring the relationship between music and colour. Termed a ‘vitally inventive composer’ by the Financial Times, Javelin is a ‘sonic Olympiad composed for the Atlanta Olympics.
Jazz influences were clearly at work with two acoustic guitar compositions by Clive Carroll The Kid from Clare and Black Nile. Guitar phenomenon Clive Carroll’s masterful compositions, coupled with his versatility and unparalleled technical virtuosity, have rendered him one of today’s most admired and respected guitarists.
Diego José de Salazar is largely unknown and in writing this it was hard to find anything much about him. If you do know something, Wikipedia would like to hear from you I am sure. Bolivian, born in 1659 and his music is classical in style but quite unique. We heard Saiga el torillo hosquillo this was one of the hits of the evening.
Bantock’s The Frogs of Aristopanes would get the prize for the most curiously name piece of the evening but not only that, it was a version performed with a brass band, in this case the Grimethorpe Colliery band, said by Sir Peter Maxwell Davies to be ‘the finest band in the world’. They are performing in Sturminster Newton in Dorset in June.
The first half ended with Victoria de Los Angeles performing Piu Jesu from Faure’s Requiem.
The mystery piece turned out to be an orchestrated version of one of Debussy’s preludes by Colin Matthews. Two arias by Caruso, one from Rigoletto and the other from Othello, the latter sung with Tito Ruffo followed and the evening ended with Lark Ascending by Vaughan Williams from a poem by George Meredith.
A truly amazing selection of pieces and the chair thanked Anthony for skillfully assembling them especially as he would have been unfamiliar with some. Evenings such as this can be a collection of hackneyed favourites with little that is unfamiliar. Although there were some well-known items, the unusual ones added considerable interest.