The meeting tonight (Monday 11 November) concentrates on some less well known English composers presented by Christopher Guild. 7:30 as usual.
The next meeting of the Society on Monday 29th April 2019 and will be a members’ evening. Usual place and usual time, 7:30. A reminder if you are not a member that there is free parking just outside the door.
The following meeting on 29th April is a members’ evening so please bring along a suggestion for playing. No more than 10 minutes (including any introduction) it will help Tony to put together a programme for the evening.
16 April 2019
The next meeting of the Salisbury Recorded Music Society will be held on Monday 1st April 2019 at 7.30pm in our usual venue, when Ed Tinline will be presenting The trumpet (and other brass) shall sound – a focus on the brass section from Handel onwards. Given the date, although it will be a bit late in the day for tricks as such, Ed hopes to include a little musical humour during the evening.
We hope to see you on Monday.
An evening of the music of this largely unknown French-Jewish composer
There are many people – even among keen classical music enthusiasts – who have never heard of this composer. At our meeting last night (4 March 2019) this was corrected with an excellent presentation by Alan Forshaw.
It was perhaps unfortunate that Alkan lived at the time of Liszt and Chopin who dazzled the Paris public with their playing and compositions. These are now household names and their works regularly played in concerts. Another factor is that Alkan composed largely for the piano so there are no symphonies, operas or song cycles etc. This narrowness of repertoire combined with the fiendish difficulty of many of his compositions may have led to his virtual disappearance.
Alkan was a prodigy entering the Paris Conservatoire at the age of 6 and giving a recital on the violin, at 7. He was born in 1813 in Paris. He started composing at 15 and this composition – Variations on a theme from Steibelt’s Orage Concerto – was the first piece to be played. The second was Concerto da Camera No 2 in C# minor which was first performed in Bath, England which he visited in 1833.
We then heard extracts from Trois Grandes Etudes Nos 1, 2 and 3. What was notable about these was that No 1 was for the left hand only and No 2 for the right. Listening to these justifies the word ‘fiendish’.
Although Alkan composed mostly keyboard works, the next piece was the finale from the Piano Trio with strings. We then heard four examples from Twelve Studies in all the major keys Nos 1, 5, 8 and 12. These were followed by some extracts from Concerto for solo piano.
Alkan was overlooked by the Conservatoire when they appointed Marmontel – a mediocre talent and former student of Alkan’s – to the post of head of piano studies. Following this acute disappointment and sleight, Alkan retired from public view for around 20 years although he did continue to compose.
He was a practising Jew being from a devout Jewish family and for a time, was organist at his local synagogue. He spoke Hebrew. Some of his later compositions had Jewish themes.
In some senses his life mirrored his compatriot Berlioz – 10 years his senior – who also had problems with the French musical establishment. Berlioz composed nothing for the piano but some commentators said Alkan was ‘the Berlioz of the piano’. They differed in that Alkan continued to follow the German tradition whereas Berlioz forged a new individual path whilst continuing to be an admirer of Beethoven.
The chair of the Society, in his vote of thanks said that, like many he suspected in the audience, he had heard little of Alkan, and Alan had shown what a remarkable and individual composer he was. His music follows fairly straightforward musical forms – variations for example are quite easy to follow – but he pushed his technique to extreme limits.
There is a society devoted to his works http://www.alkansociety.org
The next meeting is on 18 March and continuing the French theme, is about great French singers of the past.
The next meeting of the Salisbury Recorded Music Society will be held on Monday 1 April 2019 at 7.30pm in our usual venue, when we shall be very pleased to welcome our own Ed Tinline who will be presenting an evening on the trumpet and other brass instruments.
I hope you will be able to come on Monday.
The second half of the season gets underway on Monday 4th February at 7:30 as usual with a presentation on organ music. We have not had such a presentation in recent years (if at all) and yet there is a large corpus of music written for this ‘king of instruments’. The music will included works in the 17th century and some written in modern times. At least one recording was made with the Cathedral’s organ.
Hope to see you there.
The next meeting of the Society is on Monday 29 October at 7:30 as usual and will be a presentation by Ian Lace on Debussy and Ravel – two great French composers. We look forward to seeing you there. It is GDP3 for non-members. Parking is outside the door and is free. Appropriate venue for people with mobility difficulties.