Last night’s presentation by Angus Menzies was of music composed for several of the emperors of the Habsburg court from the middle of 16th to the middle of the 17th centuries. This was pre-Haydn and Mozart of course and most of the music played was by composers who, for the most part have been forgotten – undeservedly so.
Each would have his own favourites of course but those who stood out were Antonio Bertali; Johann Schmelzer; Heinrich Biber and Johann Fux. We also heard a piece composed by Leopold I entitled Il lutto dell universe which was ‘not without talent’ as one might say. The pieces played were mostly composed for weddings and coronations and hence had a magisterial quality. Others were from operas. Schmelzer’s Die Fechstchule was played alongside mass horse displays as monarchs from that era often used equestrian events to impress and show off their country. Indeed, portraits from that era often feature monarchs astride a horse as a symbol of power. Little is known of him but he was a favourite of Leopold I and became a Kapellmeister in Vienna.
Another composer to impress was Jan Zelenka and we heard Melodrama de Sancto Wenceslao and also Johann Reutter whose aria Venga l’eta was played from La Magnamitada Alessandro. Zelenka was ranked along side Telemann and Handel in his day but is now mostly forgotten.
A worthwhile evening with many surprises and providing a window into the music of this era in history.
The second half of the season kicks off tonight at 7:30 as usual. Angus Menzies will be talking about music fit for an emperor.
The second half of the season kicks off on Monday 6 February. Further details soon.
Peter played extracts from most of the works he wrote in the final months of his life. This included of course the Requiem, but also from the operas The Magic Flute and La clemenza di Tito. The Magic Flute was a huge success and is the fourth most performed opera ever written. La Clemenza di Tito by contrast was a failure and languished unperformed until the 1950s. This was in part due to a part written for a castrato, a practice which, mercifully, died out soon after the opera was written.
At Salisbury Recorded Music Society we are now into our Christmas and New Year break, and will start again in February 2017 with what promise to be really excellent presentations by several very good friends of the society:
The next meeting takes place tonight, 28 November when Peter Curbishley will be presenting ‘Mozart’s last year’. Mozart died in December 1791 and the last year of his life was full of incident and great music. Some masterpieces including the Requiem and the Magic Flute were composed as well as La clemenza da Tito.
Many people have been influenced by the Peter Shaffer play, Amadeus which, although entertaining, was full of nonsense. The presentation will try and give some of the facts surrounding his last year and of course, play some of the music …
The next meeting of the Society will take place on Monday 3rd October at 7:30 as usual. It will be preceded by a short agm and then there will be a presentation by Robin Lim on the subject of early stereo recordings. Older readers may recall the days when stereo started to make its appearance in the home. There used to be salesmen who would come to your home and install a gramophone to demonstrate this wonderful sound experience. One recording designed to show off the effect was of a steam train rushing past – first in one speaker and then in the other. Robin probably won’t be playing us that but it should be interesting to hear the early recordings using what was then, new technology.
The new season got off to a good start with a presentation entitled The Power of Mysticism in Music by Ian Lace. Ian was one of the founder members of the Society (not called that then) so we were pleased to welcome him back. He chose pieces where a sense of something beyond the composer was present in the music. It was interesting that most of the pieces – with one exception in fact – were English composers. Whether this means composers from these shores are more susceptible to these influences is probably unlikely although it was noticeable that several had experience either the first or second world wars.
The pieces played were:
Well not quite finishing there because he finished with Louis Armstrong singing What a Wonderful World.
An excellent evening and an all too rare opportunity to hear the music of Bax.
The next meeting is on 3 October and is on early stereo recordings. It will be preceded by a brief agm.
Salisbury Recorded Music Society 