The first evening of the new programme started on Monday with Michael Salmon asking ‘is this another English
renaissance?’ After the deaths of Elgar, Vaughan-Williams, Delius and Britten, new British music has often appeared to lack direction and to a certain extent quality. However, since 1950, there has been a significant change and Michael will be looking at a group of modern British composers whose music, although always intensely lyrical, appears, in many cases to follow the 19th century French School with its harmony, impressionism and minimalism.
Note this was a change to the published programme.
A review will appear here shortly.
Salisbury Recorded Music Society 
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