A decade of genius

Our view of a piece of music can sometimes be clouded by our belief of when it was composed.  Somehow, we expect music in the nineteenth century to be romantic and in the twentieth, modern.  So if we hear a piece that seems ‘out of its time’ we might in some way find it hard to accept.  It was these reflections which led Anthony Powell last night to present a programme of music which was all composed at broadly the same time.  What was striking was how different and varied the pieces were: if asked one might have thought half a century spanned their compositions when in fact it was around a decade.  Truly, a dance to the music of (short) time.

Janacek
Janacek

He started with the overture to Jenufa by Janacek composed in 1894.  Janacek was rarely heard until well into this century but is now a regular fixture in concert halls and his operas, such as The Cunning Little Vixen are frequently heard.  He followed that up by an extract of the Sinfonietta arguably the most familiar of his works.

We then heard some Elgar who’s Symphonic Study, Falstaff was written only a few years after Janacek’s yet sounded an age apart.  Other pieces included the Claude Debussy’s tonal work La Mer written a year or two after Elgar yet sounding completely different.

Another contrast were two extracts from Symphonies no 3 and 5 by Nielsen.  Nielsen is being heard more and more now and his symphonic works at least get performed.  Anthony contrasted this with extracts from Mahler and in particular his Symphony no 1 written two decades earlier but sounding from an altogether different age.

A fascinating programme which illustrated well the variety of musical styles which coexisted in just over a decade.

Salisbury Journal piece: http://www.salisburyjournal.co.uk/news/community_news/11597552.Salisbury_Recorded_Music_Society/


The next meeting is based on the saxophone as an orchestral instrument and is on November 17.  If you weren’t at last nights meeting then don’t forget to bring along your favourite piece (lasting less than 10 minutes) for the Members’ evening on December 1st.

New season gets underway

The first evening of the new programme started on Monday with Michael Salmon asking ‘is this another English

Vaughan Williams
Vaughan Williams

renaissance?’  After the deaths of Elgar, Vaughan-Williams, Delius and Britten, new British music has often appeared to lack direction and to a certain extent quality.  However, since 1950, there has been a significant change and Michael will be looking at a group of modern British composers whose music, although always intensely lyrical, appears, in many cases to follow the 19th century French School with its harmony, impressionism and minimalism.

Note this was a change to the published programme.

A review will appear here shortly.

New season’s programme

The Society launched its new season’s programme this week and hard copies are available in the Tourist Information Office; the Collector’s Room; Oxfam upstairs; and the Library all in Salisbury. Joint chair of the society, Ed Tinline said ‘we have an exciting mix of presentations this year which includes film music, English music, Mozart, Shostakovich and Telemann – something for all tastes.’

The first session is on 22 September at 7:30.

Details of where we meet are on this site.

Programme 2014/15