Nino Rota

April 2024

There are few who do not know the instantly recognisable theme to The Godfather, the composer of which is less well known. Nino Rota, real name Rinaldi, born in 1911, composed this and over a hundred other film scores as well as much other music during the course of a prolific career.

Last evening, Robin Lim gave an excellent presentation of this composer’s life. He was a prodigy and, aged 11, while the rest of us were reading Enid Blyton or looking at our stamp collections, he was composing an oratorio which was performed in Milan. Aged 14, following his father’s death and with the help of the Italian conductor, Arturo Toscanini, he went to the Curtis Institute in America to study composing and conducting.

Apart from The Godfather, another film score which received critical acclaim was for the Glass Mountain. The film itself was not a success but the music – of which we heard and saw an extract – was recognisable.

We heard a movement from the Clarinet Sonata composed in 1945 and also from a symphony. The sonata was very moving but the Symphony might need another hearing to appreciate it more. He composed four symphonies but they have been somewhat overshadowed by his film and operatic scores.

The overture to the opera I Cappello di Paglia di Firenze was lively and tuneful. For the film The Leopard by Visconti, he adapted the music from an unfinished symphony and we watched an excerpt featuring a waltz.

We could not of course escape hearing his famous composition but this was not the familiar version but one played on a harp.

He has sometimes been described as a musical chameleon – perhaps not always flatteringly – as his style is sometimes a little derivative of other composers.

In any event, it was a fascinating evening and we certainly learned more of this prolific composer.

And talking of unfinished symphonies. the next meeting on 29th April is ‘The curse of the ninth’ looking at those composers who never quite manage ten symphonies.

Peter Curbishley

Robin has kindly sent the full playlist:

1. Cello Concerto (1925) excerpt                                                                                          

2. Symphony No. 1 (1936 – 39) – 1st movement (Allegro con moto)                                                       

3. Clarinet Sonata (1945) – 1st movement (Allegretto scorrevole)                                         

4. “The Glass Mountain” (Henry Cass,1949) – Opera sequence                                                            

5. Sinfonia on a Love Song (1947, 1st Perf 1972) – 1st movement                                                         

6. “Obsession” (Edward Dmytryk, 1949) – Opening titles                                          

7. “The Stranger’s Hand” (Mario Soldati, 1954) – Opening titles and scene

INTERVAL

8. Overture to The Florentine Straw Hat, operetta (1st perf 1955)                                                                           

9.  “La Dolce Vita” (Federico Fellini, 1959) – Opening Titles                                                     

10. “La Dolce Vita” – Blues                                                       

11. Concerto Soiree for piano and orchestra (1958) – 1st Movement (Walzer-fantasia)                                               

12. “The Leopard” (Luchino Visconti, 1963) – Opening Titles                                                                   

13. Sinfonia on a Love Song – 3rd movement                                                    

14. “The Leopard” – Ball scene                                                                                               

15. “The Godfather” (Francis Ford Coppola, 1972)  – Love Theme – transcribed by Rota for solo harp

16. Le Moliere Imaginaire , Ballet (1976) excerpts         

Nino Rota

nino rota 2
Nino Rota

The last meeting of the Society was a presentation by Robin Lim of the music of Nino Rota.  He was born in 1911 in Milan and showed early musical talent with an oratorio composed when he was 12.  He followed this up with a cello concerto aged 14 and a musical career clearly beckoned.  After early training in Italy he came to the notice of Arturo Toscanini in America who arranged for him to further his training in Philadelphia.  Whether it was the influence of his dominant mother or for other reasons, he did not finish his training there but returned instead to Milan.

Robin played examples of his compositions which included: a Clarinet Sonata; the overture; Il Cappellodi Paglia di Firenze; Concerto Soiree and excerpts from Il Gattopardo.  All the music had strong rhythm and some good melodic interest but perhaps a problem was a lack of a clear ‘voice’ of the composer.  One kept hearing echoes of other composers such as Neilsen, Dvorak and even Bruckner.  Indeed he was criticised by critics for this but of course ‘borrowing’ themes from other composers is not unknown even by the greats.

It was to film music where he found a degree of fame and success.  An early composition was the score for the Glass Mountain and we saw and heard an excerpt from the film.  Others included Juliet of the Spirits; 8 1/2 and La Dolce Vita.  Altogether, he wrote some 150 film scores.  But the one which will bring him immortality and the music just about everyone can whistle or hum the main theme to, is the score to the Godfather series.  It was the highest grossing film of all time.  Amazingly, he did not get an Oscar for the score but after an outcry, he did get it for Godfather II but did not attend the ceremony to receive it.   

It was an interesting evening and showed again the difficulty of making the leap from prodigy to an established artist.  There are so many who show early precocity but developing that to become an original composer (or artist or author) can be the hardest thing.

Next meeting

Nino rota
Nino rota

The last meeting of Salisbury Recorded Music Society, took place on Monday 30th March at 7.30pm, in our usual venue, when Robin Lim presented:  Nino Rota – the Chameleon composer.  Fuller report soon.

In preparation for the Members Evening on 18th May, Ron Seaman will be asking members for details of a piece you wish to bring and have played at the Members Evening.
Looking ahead, can I take this opportunity to remind you that in order to avoid Easter and Bank Holidays the dates for last three sessions of this season are more spread out.
They are on: 20th April, 18th May and 1st June.
Note programme change:
We have a change to the programme on 1st June.  This will now be given by Ian Lace who will present A Critics Choice 2014, as unfortunately Barry Conaway will be unable to come.

Looking further ahead to next year we are now putting together the programme for 2015-16 and invite offers to present an evening, or part of an evening.  Please contact me or a committee member with any offers or suggestions.
I hope to see you on Monday.
ET