End of season

With last night’s meeting, the current season of the Society came to an end and will resume in September.  Next year’s programme is well underway and has a lively combination of home grown and invited speakers as well as a ‘live’ performance.  The committee met before the meeting and one item was a review of the year and all agreed that it had been an excellent one.  With two live performances as well as the usual fare of CDs, the programme was diverse and interesting.  The Society exists to enable people to broaden their knowledge and enjoyment of classical music in a non challenging way.

We had presentations which focused on the Great War, two on famous conductors – Mackerras and Bernstein – and we welcomed Lord Aberdare of the Berlioz Society for a memorable presentation.  The role of lesser known composers especially from these shores and from the Baltic countries was also notable.  Altogether a successful year.

Meetings take place in Salisbury every other Monday evening during the season which starts again on 19 September.  Directions can be found on the ‘Find us’ tab.  Parking is easy.  New members are always welcome and feel free to come along to a meeting.  Full details of the new programme will be published here once it is finalised and a leaflet will be available in the Collector’s Room in Endless Street; Oxfam’s music room and in the Tourism Office in Butcher Row.

We look forward to seeing you.

Live performance!

 

Next meeting is a live performance

Yes, we are the ‘recorded’ music society but this is an exception.  Members will recall a David Davies 3 croppedprevious evening at which David Davies performed on the keyboard.  Now we are delighted to see him return for an evening of baroque music played by David and some friends.  These include David Morgan and Sue Wyatt (violins), Sally Reid (‘cello) and David himself who will be on the harpsichord.  It will be more than just the music as there will be some explanation about the music and the instruments.

The programme includes works by familiar composers including Boyce, Bach, Handel and Corelli as well as some less well know composers such as Veracini, Krieger, Leclair and Finger.

For non-members, tickets on the door will be a modest £2 for the evening.

7.30 on Monday 29th February at the rear of the Guide’s Centre.  Details of how to find us is on the ‘Find us’ tab.  Parking is easy and free.  We look forward to seeing you.  Space is limited so please arrive in good time.

#Programme for 2015/16 now being finalised

Members and supporters might like early sight of the new provisonal programme for 2015/16.  We have continued the recent innovation of having a live performance even though we are called the ‘recorded’ music society.  We have some speakers who are familiar as well as some new faces so there should be plenty to interest music lovers.  You will find the pdf version clearer for technical reasons.

2015 16 programme (pdf)

Date Speaker and title
2015
September 21 Ed Tinline.  Music from Sibelius 150th Anniversary Festival, Lahti, Finland
October 5 Barry Conaway.  ‘1911 – new music of a sunset year’ including Delius, Elgar, Mahler and Sibelius
October 19 Peter Curbishley  ‘… but I don’t like modern music’.  Music by Schoenberg, Shostakovich and other ‘moderns’
November 2 Christopher Guild.  ‘The music of Roland Center (1913 – 1973) and the influence of Britten, Shostakovich, Ravel and Vaughan Williams on his work’ (provisional title)
November 16 Alastair Aberdare.  ‘A Berlioz Miscellany’.  Lord Aberdare is a member of the Berlioz Society
November 30 Members’ Evening
2016  
February 1 TBA
February 29 A Baroque Evening.  David Morgan, Sue Wyatt, Sally Reid and David Davies will bring their baroque instruments to give a live performance, including music by Corelli, Gottfried Finger and Handel
March 14 Anthony Powell.  ‘A personal musical journey – 60 years of discovery, including works by Beethoven, Mahler, Vaughan Williams, Britten and Butterworth
April 4 Robin Lim.  Title to be confirmed
April 18 TBA
May 9 Members’ evening
May 23 Jon Hampton.  ‘The art of the arranger’.  To include works by Boccherini, arranged by Berio, Bach by Elgar and Schubert by Britten

Please note that some elements may change so it is always worth coming to this site to get the up to date position.  We are always looking for new presenters and if you would like to volunteer that would be appreciated.  If you are nervous about being on your feet then someone else can do the presentation for you if you prefer.  We look forward to seeing you in the autumn.

Shostakovich
Shostakovich

Meeting

The last meeting of the Society was on Monday, March 2nd.  We were pleased to welcome a speaker from EM Records, based locally at Blandford Forum, which is the recording arm of the English Music Festival and fulfils the EMF’s aims of celebrating and preserving overlooked works by British composers throughout the centuries.  It has a strong focus on the early twentieth century: the Golden Renaissance of English music. EM Records resolves to bring this glorious music to a world-wide audience. In keeping with the unique spirit of the Festival, each disc released by EM Records will contain at least one World Première recording. 

As well as learning some of what is involved in preparing, recording and producing CDs of the highest quality, we also gained an insight into the issues raised when unearthing and interpreting previously unpublished manuscripts.  Recordings of better known English composers like Vaughan Williams, Holst and Stanford were interspersed with some lovely recordings of works by lesser known lights such as David Owen Morris and Henry Walford Davies, the latter being the composer of the instantly recognisable RAF March past.

This is the second time the Society has gone behind the scenes, so to speak, and heard about the process of recording a CD.

See also English Music Festival

New season gets underway

The first evening of the new programme started on Monday with Michael Salmon asking ‘is this another English

Vaughan Williams
Vaughan Williams

renaissance?’  After the deaths of Elgar, Vaughan-Williams, Delius and Britten, new British music has often appeared to lack direction and to a certain extent quality.  However, since 1950, there has been a significant change and Michael will be looking at a group of modern British composers whose music, although always intensely lyrical, appears, in many cases to follow the 19th century French School with its harmony, impressionism and minimalism.

Note this was a change to the published programme.

A review will appear here shortly.